ANNUAL REPORT 2016

PROGRAM    KONTAKT    PROJEKTY    PODPORA    INÉ

 

Annual report 2016


Our main mission is to work with marginalized communities of citizens in an unconventional artistic way using the means of theatre, performing arts, dance or singing. Theatre With No Home (hereinafter referred to as DBD) provides a platform for presenting social topics that are being overlooked in the commercial artistic sphere. We combine the artistic with the social in order to help tear down stereotypes that marginalized communities face in the society.


DBD was informally founded in 2005 in the course of work on theatrical projects with people without a home and it became registered with the Ministry of Interior of the Slovak Republic on 12 May 2006 under the registration number VVS/1-900/90-28231. Members of the organization are people, who are in the long run engaged in the social, educational or artistic practice, economy, management and advertising. We are based in Bratislava. Currently, we have nine members, several volunteers and many supporters.


Our community of actors and actresses includes people without a home, people with disability, people from socially underprivileged communities, social workers, theatre artists and all those interested in our theatre. Our actors and actresses receive financial compensation for rehearsals and for performing in our theatrical performances.



Projects in 2016


FLASHBACK


The main objectives of the project:

  1. •to create, rehearse and present new play that reflects a process of creation during the last ten years of existence of our theatre

  2. •to involve into the rehearsal process as actors / actresses also homeless people, people with disabilities and other socially excluded people

  3. •to incorporate into the play performance, movement, sound and music elements

  4. •to premiere this new play

  5. •to rerun the play in Slovakia and abroad


Project duration: January – November 2016


The most important activities of the project:

  1. •creation of actors team, creation of new special method “Elevator” by which the actors and actresses wrote their own and personal theatre script

  2. •rehearsals, preparation of scripts and work with them, artistic creation of performance components, costume test, stage designing

  3. •design and production of bulletins and posters

  4. •PR activities

  5. •premiere of the play in Pisztory Palace in Bratislava


The results of the project:

  1. •we rehearsed and premiered unconventional performance that reflects artistic creation in our theatre

  2. •we showed to our audience how homeless people and people with disability  internally experience theatric work

  3. •we created a play that shows why artistic work is so important for homeless people and people with disability

  4. •we teached actors / actresses to write their own theatrical monologue

  5. •we brought to the stage a ritual that our actors /actresses perform before each performance

  6. •we have actively included into the play 8 homeless people and 4 people with severe disability

  7. •we have emotionally engaged audience towards people threatened by poverty and social exclusion

  8. •actors / actresses that took part in the performance have raised their social status

  9. •we brought unusual artistic experience to the audience

  10. •we have contributed to the cultural events in our capital city


Annotation:

Flashback – a glimpse of the past, a memory, a retrospective, a mental flash of subjective experience, a spontaneous live memory of a drug intoxication, or a traumatic experience, a nip in the text.

Flashback retrospectively brings to the stage the artistic process that has taken place during the ten years of our theatrical production. Successes, searches, problems and difficulties, reverse side of the moon, life behind the scenes in our theatre. In the play, we used some parts of the scenes from our older theater plays, which we have put into a new context. Actors and actresses made the scripts in this play themselves.

Direction and dramaturgy: Uršuľa Kovalyk, Patrik Krebs

Movement cooperation: Tomáš Kubiš

Stage and costumes: Uršuľa Kovalyk, Patrik Krebs

Music: Oskar Rózsa

Cast: actors and actresses of Divadlo bez domova


Premiere: 7 November 2016 in Pisztory Palace, Bratislava

Audience: 65 viewers

Reruns:

24. 11. 2016 at International Festival of Homeless Theatres ERROR 2016 for international audience (300 visitors)


The main donor of the project: Ministry of Culture of the SR

Overall costs: EUR 12 000

The amount of donation: EUR 5 000

Own resources: EUR 600

Other resources: EUR 6 400

The project was also supported by: Philip Morris, Nadačný fond Slovenských elektrární v Nadácii Pontis, Nota bene, Bratislava Self - Governing Region, Drift Advertising, Todos



THEATRE AGAINST YOUTH HOMELESSNESS


The main objectives of the project:

Main objective of the project was to organize a training in which youth workers, working with young people threatened by social exclusion, acquire working methods resulting from dramatherapy, artetherapy, theater of oppressed or the Hero’s journey, acquire theretical basis for working with a group and for active stimulation of youth to the positive change, personal development and growth. Training is designed for 20 youth workers working with young people threatened by social exclusion including young people with incomplete education, inmates of children’s homes and reeducation facilities and youth from risky environment. Training participants acquire techniques to support youth activities and their integration into society.


Project duration: 17 – 23 January 2016


The most important activities of the project:

  1. •intensive 7 day training conducted in the theater space in Pisztory Palace in Bratislava

  2. •active participation of partners from the Czech republic, Hungary, Island, Italy, Spain, Slovenia and Slovakia

  3. •sharing and implementation of acquired skills into domestic work with youth and presentation of created artistic outputs at festival ERROR 2016


The results of the project:

  1. •during the seven-day international training, 20 workers that work with young people threatened by social exclusion from 7 European countries acquired working methods resulting from dramatherapy, artetherapy, theater of oppressed or the Hero’s journey. They acquired theretical and practical basis for working with a group and for active stimulation of the youth to the positive change, personal development and growth

  2. •we shared our know-how on the successful functioning of homeless theater, the interconnection of social work and art, the involment  of clients in the functioning of the theater and their direction to mutual help, respect and tolerance

  3. •the content of the training accompanied the participants throughout the process of dramatherapic and arteterapeutic work with the youth - in order to create a complete artistic form with such a group

  4. •the participants of the training created short performance, which they presented to the public in Bratislava

  5. •we suggested to the participants creating a work of art with their youth group (photos, art works, theater, film, video, clip, music, etc.) to attend the  International Festival of Homeless Theatres ERROR and the MEDART Conference in Bratislava in November 2016

  6. •the training participants from Spain, Slovenia and Hungary with their youth groups participated in the International Festival of Homeless Theatres ERROR 2016 in Bratislava presenting the results of their work

  7. •the training participant from Iceland actively participated in the MEDART Conference in Bratislava, where she conducted a workshop on creative writing with homeless people


The main donor of the project: Erasmus+

Overall costs: EUR 15 385

The amount of donation: EUR 15 385

The project was supported also by: Drift Advertising, Ganesh Utsav



FROM THE STREET TO THE THEATRE


The main objectives of the project:

  1. •to involve at least 10 actors / actresses - homeless people, disabled people or otherwise underprivileged people in regular rehearsals and performances

  2. •to contribute to the diversity of alternative cultural life in Bratislava and in the region

  3. •to fully participate in the cultural life of Pisztory Palace

  4. •to highlight the unique and untraditional artistic work of socially excluded or underprivileged groups and individuals

  5. •to offer art that is accessible to the general public - regardless of social or financial situation

  6. •to tear down and eliminate stereotypes, prejudices, xenophobia and racism

  7. •to create a platform for meeting of social underprivileged peoples with the majority, wiping out borders that often exist among them, and sensitizing the public

  8. •to ensure functioning of the unique theater, to realise 8 performances and 50 rehearsals

  9. •to prevent cultural and social exclusion of homeless people and people with disability

  10. •to create safe and stimulating environment for the actors

  11. •to increase self-confidence and social skills of actors

  12. •to informaly and artistically educate actors and viewers

  13. •to provide space for meaningful time spending and personal development for people without home and for people with disability

  14. •to promote the idea “also theater is work”


Project duration: February – December 2016


The most important activities of the project:

  1. •two-hour theater rehearsal, at least 2 times per week

  2. •dramatherapeutic rehearsals

  3. •costume tests

  4. •regular playing of theater performances for the public, at least once a month

  5. •organizational and technical activities

  6. •PR activities

  7. •production of posters and bulletins

  8. •premiere of the new theater play Flashback


The results of the project:

  1. •we have played 9 theater plays/performances of the theater group Franta Project for the public in Bratislava

  2. •we have completed 50 theater rehearsals in which we have created a safe and stimulating environment for the actors / actresses, we have increased their self-confidence, social skills, educated them artistically and informally

  3. •we have engaged 13 actors / actresses in the process of regular rehearsals and performances of stage plays, who were financially rewarded for their theatre work

  4. •through free entry to our performances, we offered art to the general public

  5. •we fully participated in the alternative cultural life in Bratislava and in the region and promoted the artistic work of socially underprivileged or excluded people


The main donor of the project: Bratislava Self - Governing Region

Overall costs: EUR 6 696.16

The amount of donation: EUR 6 000

Other resournces: EUR 696.16

The project was supported also by: Ministry of Culture of SR, Philip Morris, Nadačný fond Slovenských elektrární v Nadácii Pontis, Nota bene, Drift Advertising, Todos, Dobrá krajina



INTERNATIONAL FESTIVAL OF HOMELESS THEATRES ERROR 2016


The main objectives of the project:

International festival of homeless theatres ERROR 2016 is the only festival in Europe focused on theatres in which people without home play. It creates space where theater groups working with marginalized groups of population can present original theater plays to the general public. It highlights various social themes that a professional theater often overlooks. It is a platform where “healthy” majority meets with people who are socially and cultutally excluded from society. It helps to tear down and eliminate the stereotypes that exist for homeless people and it helps in their re-socialization process. In 2016, the annual 10th year of festival was held.


Homeless and community theaters from Iceland, Norway, Spain, the Czech Republic, Slovenia, Hungary, Poland and Slovakia, hip-hop group from Portugal and blues singer from the USA accepted the invitation. The festival ERROR 2016 was held under the auspices of the President of the Slovak Republic, Mr. Andrej Kiska.


Project duration:  24 – 26 November 2016


Venue of the festival: Pisztory palace, Štefánikova 25, Bratislava


The most important activities of the project:

  1. •creating space for the presentation of artistic activities to theater groups that work with marginalized population groups

  2. •highlighting social themes that commercial art often overlooks

  3. •connecting various nationalities in joint artistic activities

  4. •creating alternative art events

  5. •removing stereotypes that exist against marginalized groups in society

  6. •promoting various homeless and community theaters

  7. •organizing festival with international participation

  8. •organizing international conference


The results of the project:

Theater plays and performances for the general public:

– Sib – Sab – Boing (theater Humor – crazy theatre for everyone, Iceland)

– The prison birds (theater Vardeteatret, Norway)

– Flashback (Divadlo bez domova, Slovakia)

– Anniversary (Riding theater group Equiteatro, Slovakia)

– Cat tale (theater AHA, Hungary)

– On the way (theater Teatr Grodzki Junior, Poland)

– In my dream (theater Carnium Legendarium, Slovenia)

– The whisper of the devil (theater Jidayfa, Spain)

– Tragedy on Mississippi (theater Rozkoš, the Czech Republic)


Movie screening for public:

– Trying freedom (film about actors and actresses after a jail experience, Norway)

Dance performances:

– free style of Jakub Kubala (Slovakia)


Music performances:

– hip-hop formation Oupa Cerco (Portugal)

Concert:

– Patricia Cisarano & Oskar Rózsa band (USA, Slovakia)

International conference


Attendance at the festival: 600


The main donors and supporters of the project: International Visegrad Fund, Bratislava Self - Governing Region, Erasmus+, EEA grants, Norway grants, Milan Šimečka Foundation, Nota bene, Polish Institute, Embassy of the Kingdom of Norway in the Slovak Republic, Bratislava – Staré Mesto, Film Europe, Drift Advertising, SRS Light Design, MAG advokáti, Ganesh Utsav

Overall costs: EUR 28 460

The amount of donation:  EUR 28 460


FILIP – THEATRE AS A TOOL AGAINST SOCIAL-CULTURAL EXCLUSION OF HOMELESS PEOPLE


The main objectives of the project:

  1. •to prevent cultural-social exclusion of people without home and people with disability through drama-therapeutical rehearsals

  2. •to increase their social status, self-confidence and social standard with regular performing of stage plays for public. Performances are performed by people without home and youth with disability

  3. •to informally educate people without home and disabled people during rehearsal of new play


Project duration: September 2015 – July 2016 


The most important activities of the project in 2016:

  1. •regular rehearsals: 2 hours long drama-therapeutical rehearsals in which we create, rehearse and repeat plays with actors/ actresses, we educate them informally and work with them in an artistic way

  2. •public display of theater plays that are in our repertory: regarding regular performances of already existing plays that we rehearsed in the past for public in Pisztory palace in Bratislava.


The results of the project:

  1. •through artistic work during drama-therapeutical rehearsals, we helped resocialize actors and actresses, we educated them informally and improved their financial situation with regular rewards.

  2. •by performing our theater plays, actors/actresses boosted their self-confidence, self-respect, self-esteem and they gained new social contacts and motivation

  3. •for performing theater plays we financially rewarded our actors/actresses, men and women equally as we follow the principles of gender equality

  4. •during the performances of theater plays, zero alcohol tolerance rule is applied, motivating the actors to work with their addiction.

  5. •by performing theater plays we made the public more sensitive to approach and attitudes towards the topic of homelessness, we contributed to the alternative art events in Bratislava, we highlighted social themes and wiped out prejudices, xenophobia and racism.

  6. •during rehearsals of new theater plays, actors and actresses were informally educated and they increased their skills and competencies. Same principle of zero alcohol tolerance and following the group rules was applied here. By informal education we raised the chances of our actors and actresses to find an employment /part time job, maybe also in the art industry.

  7. •The new theater play Flashback was created and it will be played in our future seasons.

  8. •The project “Filip – theatre as a tool against social-cultural exclusion of people without home” is extended by project “PM 2017” which will end during 2017


The main donor of the project: Donor program Philip Morris at Pontis foundation

Overall costs: EUR 6 500

The amount of donation: EUR 5 900

Own resources: EUR 600

The project was supported also by: Todos, Drift Advertising

The main donor of the project PM 2017: Philip Morris



BOSS (BUILDING OF STRONG STRATEGIC PARTNERSHIP AND NETWORKING FOR THEATRE GROUPS OF HOMELESS AND PRISONERS) – creating a strategic partnership with the Norwegian theater organization Vardeteatret.


The main objectives of the project:

  1. •to create a strategic partnership with the Norwegian theater organization Vardeteatret which creates artistically with inmates

  2. •to exchange experience and know-how

  3. •to develop and strengthen the existing bilateral relations among the Slovak Republic and the contributing countries


Project duration: March – May 2016


The most important activities of the project:

  1. •Study-work trip of 3 experts of DBD to Norway, which was focused on mutual understanding of activities, ways of work, exchange of experience, know-how and broadening of the cooperation of our DBD with the Vardeteatret partner organization

  2. •working meetings with experts from the Norwegian theater organization Vardeteatret whose subject was mutual cooperation and planning of further common activities

  3. •meeting with actors / actresses of Vardeteatret - people after serving a sentence of imprisonment

  4. •visit to the Vardeteatrets Prison birdies "Väzenskí vtáčkovia" theatre performance followed by a discussion with viewers (convicted people, students) in a Norwegian prison facility and at a secondary school

  5. •attending the theater rehearsal before the performance

  6. •meeting of representatives of Vardeteatret and DBD with the Ambassador and members of the diplomatic mission of the Slovak Republic in the Kingdom of Norway

  7. •visit to the organizations that work with socially excluded groups and individuals - especially working with homeless people, people in or after serving custodial sentences or people with addiction

  8. •informing the relevant institutions, organizations and individuals on the project results through direct emails with the attached Summary Report from the realized trip

  9. •PR activities


The results of the project:

  1. •we learned about specific activities and the way Vardeteatret theater works in Norway and the Republic of South Africa

  2. •we gained new experience, know-how and inspiration

  3. •we shared our experience with the Vardeteatret theatre

  4. •we presented, together with representatives of Vardeteatret, the activities of our organizations to the Ambassador and to members of the diplomatic mission of the Slovak Republic in the Kingdom of Norway

  5. •we expanded cooperation and created a strategic partnership with the Norwegian Vardeteatret theater

  6. •at the Embassy of the Slovak Republic in Oslo, we signed a Partnership and Cooperation Agreement with the Norwegian partner Vardeteatret that included agreement on the participation of Vardeteatret at festival ERROR 2016 in Bratislava

  7. •8 experts (3 for Theater with no home and 5 for Vardeteatret) were actively involved in realization of activities during the study-work trip

  8. •together with the Norwegian partner we support tolerance, social inclusion, a dialogue between different social and ethnic groups, multicultural and intercultural dialogue and understanding in the long run, as well as we are acting against all forms of discrimination, hatred and violence

  9. •we informed the relevant institutions, organizations and individuals on the project results through direct emails with the attached Summary Report from the realized trip

  10. •we have started a communication with one of the custodial institutions, which mainly concerns the possibility of playing our performance at this facility

  11. •the Norwegian Vardeteatret theater performed the theatre play Prison birdies "Väzenskí vtáčkovia" in front of domestic and foreign audience at the ERROR 2016 Festival in Bratislava twice

  12. •at festival ERROR 2016 we screened the film about the theatrical integration work of Vardeteatret Trying freedom " Skúšanie slobody "

  13. •the members of the Vardeteatret theatre had a workshop at the MEDART International Conference in Bratislava, where they presented their work with people in and after serving a custodial sentence for domestic and foreign participants of the conference

  14. •in 2017, 3 Vardeteatret representatives will take part in the international training for workers with youth “Theater - Infinite Inclusion Possibilities" (within the Erasmus+ program), which will be organized and co-ordinated by DBD. During the training, we will informally educate participants about the use of different theatrical techniques, methods and procedures, building on our own experience

  15. •we have contributed to the development and strengthening of existing bilateral relations between Slovakia and Norway


The main donor of the project: EEA and Norway grants

Overall costs: EUR 4 506.75

The amount of donation: EUR 4 506.75


MEDART – METHODS OF EDUCATION FOR DISADVANTAGED ADULTS ROOTED IN THEATRE

We have become the coordinator of a transnational project - a strategic partnership of organizations from 8 EU countries (arts and education organizations from Slovakia, Poland, England, Spain, Slovenia, Italy, Hungary and a university from Netherlands).


The main objectives of the project:

Creation of methodological manual for the education of socially underprivileged adults through theater and dramatherapeutic approaches and techniques. Creating and using theatrical exercises, techniques and methods that will dramatically increase the chances of underprivileged adults to apply to the labor market. To educate socially underprivileged adult individuals informally, to develop and strengthen social skills and competencies that can increase their employability.


Project duration: September 2015 – August 2017


The most important activities of the project in 2016:

  1. •we participated in the 2nd transnational project meeting in Bielsko-Biała, Poland, organized by the partner organization Teatr Grodzki (February 2016)

  2. •we took part in short-term training for employees - workshop on the practical implementation of the prepared theater methods organized by the Acunagua partner organization in La Vegueta (Tinajo) on the Spanish island Lanzarote (July 2016)

  3. •preparation, organization and managing of the 3rd transnational project meeting in Pisztory Palace in Bratislava (November 2016)

  4. •preparation, organization, management and hosting of MEDART Conference in Pisztory Palace in Bratislava (November 2016)

  5. •informal education of underprivileged adults - theatrical and dramatherapy work with DBD actors and actresses, which are homeless people, disabled people and  a refugee

  6. •preparing theater-learning methods based on our own work that will form a part in the intellectual output of the project - methodological guide

  7. •project coordination and administration

  8. •financial management of the project

  9. •dissemination and PR activities


The results of the project:

The main outcome of the project will be an open learning resource - methodological guide (PDF document) that will be available on online platforms, social networks, participating organizations' websites, eventually on affiliated organizations' websites. Methodological guide is intended for teachers, coaches, dramatherapists, social workers, students, universities, other institutions and non-governmental organizations, and anyone interested in working with socially underprivileged individuals or groups.


Direct positive impact on socially underprivileged individuals who significantly improve their social skills and competences by engaging in theatrical and dramatherapy exercises.


The results of the project in 2016:

  1. •we created and described 4 theatrical-educational methods that were developed and implemented in our rehearsals and which will be part of the intellectual output - methodological guide (this also applies to another 6 partner theater-integration-educational organizations)

  2. •during our practical workshop on Lanzarote, we presented and tested our theatrical-educational methods. Experts from other partner organizations found themselves "in the shoes" of our actors and actresses on our rehearsal (this also applies for another 6 partner theatrical-integration-educational organizations, where we were again in the position of participants)

  3. •we also brought inspiration and experience from the Lanzarote workshop into our theater-educational activity

  4. •we prepared, organized and led the 3rd transnational project meeting at Pisztory Palace in Bratislava (November 2016)

  5. •we prepared, organized, led and hosted the all-day international MEDART Conference in Pisztory Palace in Bratislava, at which we presented, together with partners from England, Poland, Spain, Italy, Slovenia and Hungary, the MEDART project, the proces of creation of theatrical-educational methods and practically presented several specific methods. The conference included a number of lectures, workshops, discussions and performance art that focused on the interconnection of art and informal education of socially underprivileged people. The conferences were actively attended by more than 100 foreign and domestic professionals, enthusiasts and socially underprivileged people

  6. •socially underprivileged adults (actors and actresses of DBD) have increased their social skills and competences through our theatrical and dramatherapeutical exercises during our rehearsals.


The main donor of the project: Erasmus+

Overall costs: EUR 33 690, in 2016: EUR 23 994

The amount of donation: EUR 33 690

The MEDART Conference was supported also by: EEA grants, Norway grants, Milan Šimečka Foundation, International Visegrad Fund, Bratislava – Staré Mesto, Film Europe, Culture.pl, Drift Advertising.


The MEDART project is implemented with the financial support of the European Union. This text expresses only the views of the author. The European Commission and the National Agencies are not responsible for any use of the information contained herein.



THEATRE EQUIPMENT


The main objectives of the project:

– technical facilities for DBD's long-term work – providing the theatre with a portable stage, lighting and sound technology


Project duration: October 2016 – November 2016


The results of the project:

– we have provided our theatre hall with a new sound and lighting equipment

– we have bought a portable stage, which we also use at ERROR Festival


The main donor of the project: Nadačný fond Slovenských elektrární v Nadácii Pontis

Overall costs: EUR 6 000

The amount of donation: EUR 6 000



THEATRE DRESSING ROOM EQUIPMENT


The main objectives of the project:

– to arrange the theatre dressing room

– to allow systematic storage of theatrical props and all costumes

– make preparations for our theatre performances more effective


Project duration: June 2016 – January 2017


The most important activities of the project:

– design and production of the theatre dressing room equipment – installation of stationary costume rails and shelves for practical storage of props


The results of the project:

– theatre dressing room has been equipped

– stationary rails and shelves enabling simple and systematic storage of all theatrical costumes and props have been installed

– more space in the room has been gained, which provides us also with a better manipulation with the wheelchairs of our disabled actors and actresses

– more effective preparation for our theatre performances and more comfortable dressing up in costumes have been enabled


The main donor of the project: Siemens, s. r. o.

Overall costs: EUR 300

The amount of donation: EUR 300

Project supported also by: Nadácia Centra pre filantropiu



THEATER WITH NO HOME IN THE DONOR PROGRAM “DOBRÁ KRAJINA“


The main objectives of the project:

  1. •to involve at least 13 actors / actresses in regular theatre performances

  2. •to play once a month 1 theater performance for the public for free (together 10 performances)

  3. •to increase self-confidence and social skills of actors / actresses of DBD

  4. •to initiate and realize, either immediately after a theater performance or as a part of the performance, a short interaction (interview / discussion / debate) of actors and actresses with the audience

  5. •to improve the financial situation of performing actors and actresses

  6. •to positively promote the artistic work of homeless people and people with disability

  7. •to provide assistance to actors and acresses with disability


Project duration:  January – December 2016


The results of the project:

  1. •we have engaged 13 actors / actresses into regular theatre performances and rehearsals

  2. •in 2016, we played 20 theater performances for the public, and our theater group "Franta Project" played 4 short concerts - together we performed 24 times. In each calendar month, except July, we played at least 1 theatre performance for the public for free

  3. •through our rehearsals, performances and interactions with the audience, we created a safe and stimulating environment for our actors / actresses, we increased their self-confidence, social skills, we educated them artistically and informally

  4. •after theatre performances, a short discussion of viewers with actors / actresses of DBD took place

  5. •through financial remuneration of actors and actresses for their theatre work in rehearsals and performances we have improved their financial situation

  6. •by regularly playing our performances, we have positively promoted the artistic work of homeless people and people with disability

  7. •homeless people who are actors and actresses in our theatre provided assistance to actors and actresses with disability


The project was supported by: donors through the “Dobrá krajina” program at the Pontis Foundation

Gifts received: EUR 230.70



OTHER ACTIVITIES:


Play tours outside Bratislava:

  1. •play Puppet, Integra, Kranj, Slovenia

  2. •play Kuca Paca + music perfomance Franta project, festival Kremnické gagy, Kremnica, Slovakia

  3. •play Kuca Paca, Philipp Pinel’s hospital, Pezinok, Slovakia

  4. •play Puppet, Music theatre, Olomouc, the Czech Republic

  5. •play Kuca Paca, hospic for homeless people, Kopřivnice, the Czech Republic



Number of viewers that visited our plays at Pisztory Palace: 1 125

Number of viewers that visited our plays during the time on tour: 500



2% from taxes


We obtained donations in the amount of EUR 817.27 deposited on the account of our organization.  We used them to co-finance the projects.


DPD thanks all those who have supported our activities in any way and kept their fingers crossed.



Bratislava, 4 March 2017



Uršuľa Kovalyk   

DBD principal


Patrik Krebs

Statutory representative and DBD principal